Tuesday, December 27, 2011
Sunday, December 25, 2011
Monday, December 12, 2011
It so happened that this Saturday was 'Spargonian Play Day' and she ask me to make a quick visit to her class. I was delighted to see all the students working on one or more of my projects. The classroom was full of color!
Jason is doing well and it makes me happier now that I know where he is living and that he is loving school. The added bonus was that I got to sample a couple of good meals that he cook for me in his little studio apartment.
I am flying home tonight and need to now focus on the holidays.
I just can't believe how fast life is passing by!
Thursday, December 8, 2011
I just spent 5 glorious days with Melissa, Sally and Alice in Philadelphia. Melissa relocated to Philly a few months ago and we thought this would be a wonderful place to gather to plan for our upcoming 8th annual 'Workt by Hand' retreat.Which is held in Tipp City, Ohio April 25-28, 2012.
We spent the first couple of day planning for our retreat then we hit the road for a little fun.
Sunday we set off for Washington DC to visit the Textile Museum. What a treat! There was a fabulous African Kuba Cloth exhibit as well as a Repurposed exhibit. No photographs permitted but wonderful inspiration. www.textilemuseum.org
Monday off to Delaware to the Winterthur Museum. www.winterthur.org This wonderful estate was owned by the du Pont family and houses an outstanding collection of Americana. We first did the Christmas tour.
The Plimoth Jacket: A Paradise in Silk and Gold
On view in the With Cunning Needle exhibition
beginning September 3, 2011
On loan to Winterthur from Plimoth Plantation, the Plimoth Jacket is not an exact reproduction. Rather, it was re-created from two examples in the Victoria & Albert Museum in London. One was chosen for the cut and construction of the jacket and the other for the design of the embroidery. Both originals date to the 1620s.
In the 1600s this type of embroidery would have been done in professional workshops. The creation of the Plimoth Jacket has led to discoveries about the technology for making threads and spangles as well as about stitching techniques. The project has also resulted in important insights into 17th-century workshop practices, where large numbers of embroiderers (both highly skilled laborers and apprentices learning their trade) would work together to create expensive and decorative clothing like this.
The Plimoth Jacket Project
More than 300 people spent over 3,700 hours to create the Plimoth Jacket. Some worked on the silk embroidery and gold plaited braid, while others stitched on the “oes,” the term in use in the 1600s for the round sequins. The project was conceived and managed by Jill Hall, former head of the colonial wardrobe department at Plimoth Plantation. She was aided by a team of experts in embroidery, lace, metal-smithing, and weaving, including Dr. Tricia Wilson Nguyen, Wendy White, Carolyn Hastings, Mark Atchison, Justin Squizzero, and Denise Lebica.
The sewing, embroidery, and lace were all entirely done by hand. The lace spangles (the tear-drop shaped sequins hanging from the lace) were created using tools made specifically for the project. The tools and techniques replicate those from the 1600s. Even the lining was hand-woven and dyed with natural indigo.
I now have lots more inspiration for new quilts as well as embellishment. I hope these photographs inspire you to be creative. I travelled earlier this week from Philly to Portland to spend a little time with my youngest son Jason who just started Culinary School.